February 4, 2013

Art Education in the Visual World: Responding to Kamhi and Gude


I was shocked by Kamhi’s words: “Visual Culture Studies has no place in art education.” I have to ask “does the woman live in the 21st century?” I always consider the world today as a “Visual World”, because we cannot live without images now. All the things such as television, internet, posters, magazines send us information through images, if we don’t have the ability to read it, we cannot get new information and even cannot communicate with others. So it is obvious that visual culture study is very important in art education at 21st century.

Kamhi’s understanding of art is ridiculous. She only regarded traditional visual art as the real art. She thought postmodern art such as “pop art”, “installation art” and “video art” should not be classified or studied as “art”.  Commercial and even photography are not considered to be art as well. I can only say that this woman doesn’t know art at all. Art always come from and reflect life. In the life we living today, life is very different from traditional one, so art is certainly different. I think if advertiser is creative, and present the artist’s own understanding of this product, it is art. And I really love Gude’s value that “blurring the boundaries between art and life.” Art is actually not so high and serious as some people may think about, I believe in this art project, students will experience the joy of art and love art more.

One reason supported for Kamhi is “visual culture approach to interpretation lays stress on politicized issues that divide society, rather than on shared human values and concerns.” Kids should know the truth, know what is happening in the real world. But knowing this doesn’t impede them learning the right human values and concerns. In Gude’s opinion, visual culture study will let them have wide-ranging and nuanced understandings of the world. I agree with Gude that visual culture will let students see the world with fresh insight.

Kamhi thinks that visual culture studies primed to ignore the artist’s actual focus and the entirely legitimate values it may imply. I think the meaning of artwork including two parts, one is the original purpose of the artist and the other is the ideas of audience. And some of artists now make their work ambiguous to lead people think about it in different ways. So the artist’s actual focus is not so important as Kamhi said. The most important thing is to develop students’ ability of critical thinking and imagination through reading and discussing the image. For example Visual Thinking Strategies is a good way for art education. 

Gude’s “New School Art Style” create curriculum projects engage students in making meaning through meaningful making, playing with methods, materials and ideas. I think it is really a good way for 21st century art educators. I know most of the students will not be professional artists in the future, but if they learn and make art in this way, art will help a lot in imagination an creative thinking when they do other things, and I believe they will love art and love to make some art in their lives.

1 comment:

  1. I read the blogs via google reader and it does not give me the opportunity to comment.

    I am pleased with your response to the readings last week. You made this same point in class which is insightful. "I think the meaning of artwork including two parts, one is the original purpose of the artist and the other is the ideas of audience. And some of artists now make their work ambiguous to lead people think about it in different ways. So the artist’s actual focus is not so important as Kamhi said. The most important thing is to develop students’ ability of critical thinking and imagination through reading and discussing the image. For example Visual Thinking Strategies is a good way for art education. " is the kind of art education Gude described familiar or practiced in China?

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